Reviews are generally negative.
The film features an ensemble cast including Esha Deol , Sameera Reddy , Neetu Chandra , and Mukesh Tiwari , with narration by Irrfan Khan .
This information might not accurately reflect the complete details or current ratings. For a complete and more up-to-date review, I recommend checking out platforms like IMDb, Rotten Tomatoes, or Metacritic. 123 indian movie
A user on IMDb gave 2.5/5 and mentioned that The movie has a clichéd storyline and predictable screenplay. He further stated that film doesn't have much to offer in terms of storyline.
, known primarily as India’s best dancer and a comedic actor, delivers a performance that shocks you. He sheds his usual energetic persona to play a man who is desperate, uneducated, and inherently rough around the edges. There is no dancing here, only a raw portrayal of survival. It remains one of the most underrated performances of his career. Reviews are generally negative
A diligent secretary sent by his boss to purchase a vintage car.
Due to a misunderstanding, the thief enters the woman's home, thinking it is an easy target. What follows is not a typical cat-and-mouse thriller, but a psychological drama. The woman is blind, and for a significant portion of the film, the narrative rests entirely on the interactions between these two individuals within the four walls of a house. For a complete and more up-to-date review, I
You can find One Two Three streaming on Amazon Prime Video or YouTube Movies . 2. 123 (2002) – The Multilingual South Indian Hit
123 occupies a space between Mahanadhi (psychological depth) and Chandramukhi (supernatural-tinged thriller), but it is less polished than either. It predates the “dream-logic” thrillers of the 2010s (like Eeram or Maya ) and feels like a flawed but ambitious prototype.
In today’s era of short attention spans and high-octane content, 123 might feel slow to some. However, if you appreciate cinema that values writing over spectacle, this film is a must-watch.
123 is an underrated gem with significant flaws. Its ambition and atmosphere outweigh its pacing problems. If you can tolerate a sluggish middle and a slightly convenient climax, you’ll find a genuinely creepy, thought-provoking thriller that dared to be different in a mainstream industry often allergic to psychological nuance. Seek it out for Raghuvaran’s performance and those haunting countdown sequences.