|best| — Phim Sahara 2005
The film is based on the novel of the same name by Clive Cussler. The story follows:
Sahara is not a great film. It is too long, too expensive-looking for its B-movie soul, and its plot defies logic at every turn. But it is rarely boring. It stands as a fascinating artifact of a time when studios were willing to gamble nine-figure sums on original(ish) action properties based on the sheer star power of a leading man’s smile. As a final send-off for Dirk Pitt on the silver screen, Sahara is less a buried treasure and more a fun, shiny trinket—easily enjoyed on a lazy afternoon, even if it’s not worth its weight in Confederate gold. phim sahara 2005
However, the action sequences are staged with a kinetic energy that makes you forgive the absurdity. The highlight is a lengthy chase sequence involving the heroes using a boat—complete with a camel on board—to escape a helicopter and armed forces. It is thrilling, colorful, and tongue-in-cheek. The production design captures the golden, scorching aesthetic of the desert beautifully, giving the film a distinct visual identity. The film is based on the novel of
Based on the Clive Cussler novel, the film throws us into the world of Dirk Pitt (Matthew McConaughey), a charismatic explorer and former Navy SEAL who works for the National Underwater and Marine Agency (NUMA). Dirk has a harebrained theory: that a Civil War ironclad ship, the Texas , somehow crossed the Atlantic and is now buried in the sands of West Africa. But it is rarely boring
It is a film best watched with the brain switched to "off" and a cold drink in hand. If you are looking for a breezy, high-octane adventure where the good guys win and the one-liners land, Sahara is a hidden gem worth digging up.
