Kinutani’s art is the star here. Moving away from Nagai’s blocky dynamism, Amon embraces a 90s “extreme” aesthetic: hyper-detailed muscle fibers, spattered inks, and double-page spreads of demonic anatomy that feel like H.R. Giger meeting a slasher film. Amon’s design is less a heroic fusion and more a biological weapon—jagged, asymmetrical, with a mouth that unhinges like a serpent.
This version of the story explores the "dark side" of the fusion: amon: devilman