Heydouga 4017-ppv214 [2021]
It could also refer to a specific media release, event, or broadcast that is categorized under "heydouga" and further specified by the numbers that follow.
| Feature | Benefit to End‑User | |---------|--------------------| | | Capture true‑to‑life highlights & shadows in a single exposure; eliminates need for multiple takes. | | 10‑GbE SMPTE 2110 IP streaming | Seamless integration into modern IP‑based broadcast facilities; supports channel‑by‑channel routing. | | Built‑in variable ND filter | Immediate exposure control without external accessories; ideal for outdoor events. | | Remote API (REST/gRPC) | Enables custom automation (e.g., robotic PTZ, AI‑driven exposure); reduces crew workload. | | 12‑bit RAW output | Provides maximum post‑production flexibility for color grading and VFX. | | Compact 2U rack chassis | Saves rack space; can be stacked with other I/O modules for a “camera‑in‑a‑box” solution. | | Low power draw (1.8 A) | Lower operating costs; compatible with portable battery rigs for remote shoots. | | Robust build (MIL‑SPEC tested) | Withstands vibration and shock typical of OB‑truck environments. | heydouga 4017-ppv214
| Item | Description | |------|-------------| | | HeyDouga (Taiwan) – specialist in imaging sensors and broadcast‑grade video modules | | Model | 4017‑PPV214 (PPV = Professional Performance Video) | | Form Factor | 2U rack‑mount chassis, front‑panel LCD (3.5‑inch, 720 p), removable lens mount (EF‑type) | | Intended Use | Broadcast, live‑event, sports, high‑end corporate AV, virtual production, post‑production dailies | | Key Differentiators | • Stacked back‑illuminated CMOS with dual‑gain (HDR) • 12‑bit 10‑GbE IP streaming with SMPTE 2110‑41 • Built‑in ND filter (0.6/1.2/1.8) • Remote‑control API (REST / gRPC) | | Regulatory | FCC, CE, RoHS compliant; UL‑certified for rack use | It could also refer to a specific media
| Parameter | Specification | |-----------|---------------| | | 483 mm × 88 mm × 300 mm | | Weight | 2.1 kg (incl. PSU) | | Power | 12 V DC, 1.8 A (max) – optional AC‑DC rack PSU (120 V/240 V) | | Operating Temp | 0 °C – 45 °C (non‑condensing) | | Ingress Protection | IP20 (indoor rack) | | Mounting | 19‑inch rack ears, V‑Mount for tripod/stand | | | Built‑in variable ND filter | Immediate
| Scenario | Implementation | Value Delivered | |----------|----------------|-----------------| | | Mounted on OB‑truck, 4K 60 fps HDR stream via 10 GbE to central production hub. | Captures bright stadium lights and deep shadows without clipping; reduces on‑site color‑grading workload. | | Virtual Production (LED Wall) | Integrated into UE5‑based pipeline via NDI‑HX2, synchronized with gen‑lock. | Provides low‑latency HDR feed for real‑time compositing; API allows dynamic exposure adjustments to match virtual lighting. | | Corporate Event Live‑Streaming | Portable battery pack + 10‑GbE uplink to cloud encoder (AWS MediaLive). | Enables high‑quality HDR stream to YouTube/LinkedIn with minimal cabling; remote control via web UI. | | Cinema Dailies | 12‑bit RAW capture to local SSD (via 10 GbE NAS). | Retains full dynamic range for colorists; reduces need for on‑set color grading. | | Drone‑Mounted Aerial Capture | 12 V DC power from drone, 4K 30 fps HDR over 5 GHz wireless (via 10 GbE bridge). | Provides cinematic aerial footage with HDR, expanding aerial storytelling capabilities. |
| Feature | Detail | |---------|--------| | | 4K (4096 × 2160) @ 60 fps (full‑rate), 1080p @ 120 fps (slow‑mo) | | Compression | H.264 (Main Profile) / H.265 (HEVC) at up to 100 Mbps; RAW 12‑bit uncompressed via 10 GbE | | HDMI | HDMI 2.1, 18 Gbps, supports 4K 60 fps 12‑bit | | SDI | 12‑bit 4:2:2 SDI, up to 3 G‑SDI (4K 60 fps) | | IP | 10‑GbE (SMPTE 2110‑41, NDI‑HX2), PoE+ optional | | Audio | 4‑channel AES/EBU, 48 kHz, 24‑bit | | Timecode | LTC, VITC, SMPTE‑2022‑6 embedded | | Control | RS‑422, LAN (TCP/IP), USB‑C (firmware) | | Software API | RESTful JSON, gRPC, compatible with OBS, vMix, Wirecast, custom pipelines |
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