| Marathi Original (Year) | Hindi Remake (Year) | Notes | |-------------------------|---------------------|-------| | Shikshanachya Aaicha Gho (2010) | Great Grand Masti (2016) | Loosely adapted; lost original’s social commentary | | Kaksparsh (2012) | Dusra Goshta (unofficial) | No direct remake, but inspired Shubh Mangal Zyada Saavdhan ? | | Duniyadari (2013) | Duniya Dilon Ka (2015) | Direct remake; failed critically | | Timepass (2014) | Timepass 2 (Hindi dub, 2015) | Not remade, but dubbed and released | | Sairat (2016) | Dhadak (2018) | Biggest cross-over; changed caste politics to class differences | | Natsamrat (2016) | Natsamrat (Hindi dub, 2018) | Nana Patekar reprised his Marathi role in Hindi-dubbed version | | Mumbai-Pune-Mumbai (2010) | Mumbai-Pune-Mumbai (Hindi web series) | Remade for streaming as Mumbai Diaries ? Not exact. | | Dombivali Fast (2005) | Force (2011) – loose | Retained vigilante core but added action-masala |
Many legendary artists have been equally—or more—significant in Marathi cinema than in Hindi. Recognizing them is key to understanding the bond. hindi movie marathi
The street Hindi spoken in Mumbai films (e.g., Munna Bhai series, Gully Boy , Dhobi Ghat ) is heavily infused with Marathi words: nakki (sure), kay re (what’s up), bhau (brother), aai shapath (I swear on mother). | Marathi Original (Year) | Hindi Remake (Year)
| Film (Year) | Director | Why It Matters | |-------------|----------|----------------| | Shwaas (2004) | Sandeep Sawant | India’s official Oscar entry; tender story of a blind boy. | | Dombivali Fast (2005) | Nishikant Kamat | Urban angst, middle-class rage – influenced Hindi’s A Wednesday . | | Harishchandrachi Factory (2009) | Paresh Mokashi | India’s Oscar entry; story of Phalke making Raja Harishchandra . | | Natarang (2010) | Ravi Jadhav | Raw, musical, sexual, political – revolutionized Marathi cinema. | | Shala (2011) | Sujay Dahake | Teenage love and communal riots – poetic realism. | | Kaksparsh (2012) | Mahesh Manjrekar | Generational family drama, deeply rooted in Maharashtrian culture. | | Fandry (2013) | Nagraj Manjule | Brutal caste critique – started a new wave of Dalit cinema. | | Sairat (2016) | Nagraj Manjule | Commercial and critical blockbuster; crossed into national consciousness. | | Natsamrat (2016) | Mahesh Manjrekar | Nana Patekar’s tour-de-force about a dying theatre actor. | | Court (2014 – Marathi/Hindi/English) | Chaitanya Tamhane | Won Venice; stark legal drama. | | Ventilator (2016) | Rajesh Mapuskar | Priyanka Chopra produced; ensemble family comedy. | | Malaal (2019) | Mangesh Hadawale | Romeo-Juliet in Mumbai chawls (also remade in Hindi as Malaal – but original Marathi was better). | | | Dombivali Fast (2005) | Force (2011)