Video - Sone-097

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| Item | Details | |------|---------| | | “Sone‑097” (often stylised as sone‑097 ) | | Format | Short experimental video (≈ 3 minutes, 1080p, 30 fps) | | Creator / Channel | Produced by the YouTube/BitChute channel Sone Productions (an anonymous collective known for abstract, glitch‑aesthetic works). | | Release Date | 12 March 2022 (original upload on YouTube; later mirrored on other platforms). | | Genre | Experimental / Visual‑art / Glitch / Ambient. | | Typical Audience | Viewers interested in digital art, glitch aesthetics, and audiovisual installations. | sone-097 video

| Aspect | Likely Tools / Methods | |--------|-----------------------| | | Screen‑recorded clips from public domain footage (e.g., city time‑lapse videos) and self‑shot 4K footage of monitors and vinyl. | | Glitch Creation | Software such as Audacity (audio‑to‑video conversion), Glitché , Datamosh , or custom FFmpeg scripts that manipulate video bit‑streams. | | Compositing | Adobe After Effects (or Natron for an open‑source alternative) for layering, mirroring, and color‑grading. | | Audio Design | Ableton Live or Logic Pro for layering drones, synthetic tones, and processing field recordings. | | Export Settings | H.264 codec, 1080p, 30 fps, bitrate ~ 8 Mbps (typical for YouTube uploads of this era). | | File Naming | “sone‑097.mp4” – part of the series’ systematic naming scheme to emphasize archival mindset. | The video is copyrighted by its creator

| Segment (approx. time) | Visual Description | |------------------------|--------------------| | | A static, slightly oversaturated blue‑gray field fills the screen. Random static noise flickers. A low‑opacity white text overlay reads “sone‑097”. | | 0:20‑0:45 | A series of rapidly looping 2‑second clips of urban nightscapes appear, each clip warped with horizontal pixel‑shift glitches. The clips are interspersed with brief flashes of binary code (0s and 1s) scrolling vertically. | | 0:45‑1:15 | The camera appears to zoom into a close‑up of a computer monitor displaying a corrupted video file. The monitor’s image ripples, revealing layers of chroma‑subsample artifacts and “blocky” compression squares. | | 1:15‑1:45 | A surreal collage forms: an animated silhouette of a human figure made of wireframe polygons walks across a sea of static. The figure intermittently glitches out, momentarily becoming a series of RGB‑split bars. | | 1:45‑2:15 | The scene transitions to a close‑up of a vinyl record spinning, but the record’s surface is replaced by a digital waveform. The waveform pulses in time with the audio, and each pulse triggers a brief “digital rain” of green code (reminiscent of the Matrix). | | 2:15‑2:45 | The video folds onto itself: a kaleidoscopic mirror effect repeats the previous footage in 4‑way symmetry, with a subtle hue shift (purple → teal). The glitch intensity rises, creating a near‑white flash at 2:38 before dropping back to the original static field. | | 2:45‑3:00 | The final 15 seconds fade to black, leaving only the faint sound of a distant modem dial‑up tone. The “sone‑097” caption reappears in the centre, this time flickering like an old CRT monitor. | | Item | Details | |------|---------| | |

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The video is part of a numbered series (Sone‑001, Sone‑002 … Sone‑100) that the creator describes as “a catalogue of digital detritus.” The series is deliberately opaque about narrative, focusing instead on texture, rhythm, and the relationship between sound and visual distortion.

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