: Some platforms host open matte versions of films like The Avengers or Skyfall .
To fix this, the projectionist puts a physical or digital (a black bar) over the top and bottom of the film strip. They "mask" the image. You only see the slice in the middle.
To understand it, you first need to understand .
There are two main reasons why Open Matte versions exist: open matte
Open Matte usually appears in two specific, contradictory scenarios:
To achieve this wide look in theaters, the top and bottom of the captured image are covered up—either by physical metal masks in a film projector or by digital cropping.
Welcome to the weird, wonderful, and often accidental world of . : Some platforms host open matte versions of
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Watching Pacific Rim in Open Matte is a religious experience. The Jaegers (giant robots) actually look taller than the skyscrapers because you can see the scale from ground to sky.
Instead of cropping the image, the full exposed frame is shown. This reveals visual information at the top and bottom of the screen that was captured by the camera but hidden during the theatrical run. You only see the slice in the middle
: Cable networks often request open matte masters to fill the screen.
Sometimes, Open Matte ruins the magic. You see the boom mic. You see the edge of the set. The composition looks sloppy.
Christopher Nolan loves this. When you watch The Dark Knight or Dune: Part Two in IMAX, the screen literally expands vertically. You aren't zooming in; you are unmasking the frame. You see the sweat on Batman’s brow and the floor beneath his feet. It is immersive. It is stunning. It is intentional Open Matte.
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