Vika Borja has emerged in the past decade as a distinctive voice in the contemporary video‑art landscape, blending personal narrative, experimental editing, and a keen awareness of digital culture. This paper provides a comprehensive examination of Borja’s video oeuvre, focusing on three interrelated dimensions: (1) formal aesthetics and technical strategies, (2) narrative structures and thematic preoccupations, and (3) sociocultural impact within online platforms and artistic institutions. Drawing on close visual analysis, interviews, and reception studies, the research argues that Borja’s work negotiates the boundary between autobiographical documentation and speculative futurism, thereby expanding the possibilities of the personal‑political video essay.
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