SysGauge is a system and performance monitoring utility allowing one to monitor the CPU usage, memory usage, network transfer rate, operating system performance, the status and resource usage of running processes, file system performance, USB performance, disk space usage, disk read activity, disk write activity, disk read transfer rate, disk write transfer rate, disk read IOPS and disk write IOPS for individual logical disks or all physical disks installed in the computer.

SysGauge System Monitor

Flexible • Customizable • Easy To Use

Features

Princess Mononoke Roger Ebert -

Roger Ebert's championing of Princess Mononoke (1997) was a pivotal moment for Japanese animation in the West. Awarding the film a perfect , Ebert described it as "one of the most visually inventive films" he had ever seen, urging audiences not to let conventional ideas about "cartoons" keep them from this adult-oriented masterpiece. A Vision Beyond Live Action

– Ebert approved of the English dub (produced by Harvey Weinstein but with Miyazaki’s oversight), singling out Gillian Anderson, Billy Crudup, and Minnie Driver for strong performances.

: He recognized the "complex saga" Miyazaki crafted regarding the conflict between man's desire to tame nature and the forest's mystical defense. Collaborative Perspectives princess mononoke roger ebert

Ebert's review highlighted the film's themes of environmentalism, humanity's relationship with nature, and the struggle between tradition and progress. He noted that the film's message is "both timely and timeless," and that it "speaks to our own struggles to live in harmony with the natural world."

– Ebert praised Hayao Miyazaki’s hand-drawn animation as lush, imaginative, and dense with detail. He compared its scale and ambition to Star Wars and The Lord of the Rings . Roger Ebert's championing of Princess Mononoke (1997) was

– He admired that there are no clear villains. Lady Eboshi, who destroys the forest, is shown as kind to lepers and outcasts. The wolf god and boar spirits are sympathetic but dangerous. Ashitaka, the hero, curses both sides’ hatred.

The critic praised Miyazaki's direction, saying that he "brings a sense of wonder and awe to the film, and his animation is breathtaking." Ebert also commended the film's characters, particularly San, the princess of the wolf-goddess, and Ashitaka, the prince of a neighboring village, who becomes embroiled in the conflict. : He recognized the "complex saga" Miyazaki crafted

4/4 stars

: He noted that the film avoids simplistic "good vs. evil" tropes, instead focusing on the struggle for a new emerging order between humans, forest animals, and nature gods.